With more than 20 years of rich experience in Taiwan’s film and television entertainment industry, he is good at film and television entertainment marketing and the development of star goods, and has served as an agent for well-known artists Wang Xinling, Xu Huafeng, Yu Meiren, Wang Lu, Lin Meixiu and other agents; He is good at planning activities, brand IP management and copyright trading, etc., and has successfully planned a number of project activities and concerts planned by government and corporate brands. Now working as the founder of Lianhao Entertainment, with the TooFish 360 PLUS viewing model to amaze the market, becoming an APP artifact in the 5G era, the company is currently deeply rooted in Taiwan to the world, allowing users to pay and increase the income of performers, creating a win-win business model for both.
Chen Yijun (Kimi) hopes that he can use pictures, use videos, take you to see the world, since childhood half-work and half-study to cultivate the spirit of “learning by doing”, born in Yunlin Douliu’s acting family in 1976, drifted north at the age of seven to graduate from higher vocational education and entered the entertainment industry, since then opened the three views of programs, advertising, film and television, because of his mother’s encouragement “You are very suitable for the entertainment industry”, plus the producer’s appreciation, successfully worked as a production assistant for half a year in the then popular “Hundred Battles and Victories”, and was immediately “No Defense Tonight” He became a program executive producer, studied in every field of the performing arts, and thus met Yu Xiang, a lifelong noble advertising godmother.
[I originally just wanted to fulfill my dream, with serious stupidity. However, it all starts here.
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Kimi initially just wanted to fulfill a dream, because after the early years, Taiwanese artists were able to travel throughout the Southeast Asian market, and even other Southeast Asian artists who developed in Taiwan returned to their home countries to become first-class kings or divas, in order to welcome the advent of the new era, they wanted to use TooFish360 PLUS as a medium; Change Taiwan’s entertainment industry is facing the crisis of insufficient domestic demand, in addition to the Chinese market, it can once again carry out the original influence on the Southeast Asian market, so it was decided to transform from an artist agent to a technology founder, and the entertainment industry was extended from point to surface. Korean idol group “BTS” held an online concert in 2021, attracting up to 70,000 people, but only through the 2D mode, but successfully held seven consecutive performances, each paying 30 US dollars per person, but became a new type of concert in the epidemic era, and became the rock of TooFish360 PLUS. Kimi said that he will cooperate with artist Yan Yalun to hold a 360 fan meeting, because he has previously cooperated with the Taitung County Government’s exclusive program “Chat Taitung”, feeling the charm of the combination of sightseeing tour guide and content introduction, both parties hope to create more new content for fans to have a new experience, plus his agent is also an old acquaintance, so the two sides hit it off with the idea of using TooFish360 PLUS media. Kimi is optimistic about Taiwan’s influence, and considering the pioneering nature of the Chinese market, Kimi has pre-built the 360Youtube channel, just like “Chat Taitung” so that the program or tourism can cultivate a new viewing experience, from the corner to the panorama has become the product mission of TooFish360 PLUS.
TooFish360 PLUS lets you decide how you see the world
Kimi wants to lead the audience through TooFish360 PLUS, which can achieve media proximity, from large to small and far to near, presenting a completely different new feeling, which is the current breakthrough in entertainment technology; In the case of Youtube, because you can’t move the viewing distance, you can’t meet the sense of traversal. In addition to creating an entertainment platform, it is also necessary to combine high-quality content, and in the future, we will cooperate with South Korea to bring more artist performances and exclusive content to fans, in addition to freely choosing the viewing angle, although they cannot participate in person during the epidemic, they can also achieve an unprecedented audio and video enjoyment through technology. Kimi believes that TooFish360 PLUS is not only for entertainment, it can also allow us to see more and see new things; Just like “Chatting Taitung” around the charm of the panoramic tour and sports events, etc., let you be at home, see the scene, and feel as if you are walking into it. Kimi emphasized that TooFish360 PLUS goes against the traditional compound eye 180-degree perspective, not only enriching the APP, but also catching the attention of the public, living up to the biblical miracle of “five loaves and two fish”, hoping to provide more rich different content, from 3.0 automation to 4.0 intelligent entertainment mode.
Unblinding TooFish360 PLUS Three Viewing Modes – Win-win Strategy from Competition to Cooperation
TooFish360 PLUS includes walking, joystick, and augmented reality (AR) modes, and Kimi directly opens up the author’s experience in the interview, using walking mode by moving and having enough space; Maintain the fixed point in joystick mode; The additional function of adjusting the field of view and picture correction through the AR mode through the immersive experience, also adds interaction to the 360-degree visual effect through mobile devices, PCs, TVs and VR devices.
Kimi stressed that cooperation should replace competition, so that TooFish360 PLUS can be seen and innovate human viewing mode, in order to emerge in the 5G era, so borrow Youtube upload and telecom industry platform to let more people experience, looking forward to creating another opportunity for Taiwan’s entertainment industry; To develop the world market, if we can combine the influence of Korean performing arts on the world, from music to behind-the-scenes footage in the production content, innovate business models to generate more benefits.
A milestone for TooFish360 PLUS
Yan Yalun “Only See You” – 360 fan meeting
Artist Yan Yalun (real name Wu Genglin) has an impressive straightforward personality, once a member of the idol boy group “Flywheel Sea”, after the disbandment, he continued to sing, drama, hosting and other performing arts, and also accumulated a certain amount of Internet popularity, he also likes challenges and creation, naturally became the first choice for cooperation with TooFish360 PLUS, plus he has “360 Roaming Taitung” tour experience in the hot air balloon event “Chat Taitung” program, which also makes both parties look forward to this. Kimi said that the fan meeting will be “warmly presented”, different from the traditional stage style, in which the VR experience is planned as if cooking with artists and listening to songs around you, looking forward to domestic and foreign fans sharing their thoughts; It was also held on White Day, and 360 videos were taken on the Youtube channel to meet fans. Kimi hopes that Lianhao Entertainment can use TooFish360 PLUS to allow performers to have a new way of presentation in addition to the live broadcast platform, and have the opportunity to “shine” in more countries, it is undeniable that in the process of entrepreneurship also faces various challenges, subject to the conservative style of Taiwan’s entertainment industry for a long time, especially thanks to Lee An Daping and accountant Wu Mingyi of United Accounting Firm not only assisted the company’s financial advisor and encouraged her to be macro-positive, but also deeply appreciated.” Accountants with temperature”!Kimi knows that in addition to technology, it is also necessary to match high-quality content, so that the audience can move towards a “greater than 360” entertainment effect through an online experience without dead ends, allowing the audience to freely travel through the real scene, as if they were experiencing the immersive personal interaction, and the future is bound to become a “reality virtual experience” that promotes the “virtual experience before physical events” and allows major influencers, record companies and agencies to adopt the exhibition mode.